But we are not done with that engine yet. The engine is powerful. We are two small men and a small woman. It will break our hearts and our backs to hoist anchor by hand. Let the engine do it. And then comes the problem of how to convey power for’ard from the engine to the winch. And by the time all this is settled, we redistribute the allotments of space to the engine-room, galley, bath-room, state-rooms, and cabin, and begin all over again. And when we have shifted the engine, I send off a telegram of gibberish to its makers at New York, something like this: Toggle-joint abandoned change thrust-bearing accordingly distance from forward side of flywheel to face of stern post sixteen feet six inches. When we dropped anchor, lowered a small boat into the water, and started ashore, the Nature Man joined us. Now, thought I, I shall be pestered to death by this crank. Waking or sleeping I shall never be quit of him until I sail away from here.!

Three times they circled the Snark before coming alongside to take Charmian and me on board. Then it was away for the fishing-grounds, a five-mile paddle dead to windward. “Everybody is jolly in Bora Bora,” is the saying throughout the Society Islands, and we certainly found everybody jolly. Canoe songs, shark songs, and fishing songs were sung to the dipping of the paddles, all joining in on the swinging choruses. Once in a while the cry Mao! was raised, whereupon all strained like mad at the paddles. Mao is shark, and when the deep-sea tigers appear, the natives paddle for dear life for the shore, knowing full well the danger they run of having their frail canoes overturned and of being devoured. Of course, in our case there were no sharks, but the cry of mao was used to incite them to paddle with as much energy as if a shark were really after them. “Hoé! Hoé!” was another cry that made us foam through the water. The scenery between Vieiras’s (where the Kaupo Gap empties into the sea) and Lana, which we covered in half a day, is well worth a week or month; but, wildly beautiful as it is, it becomes pale and small in comparison with the wonderland that lies beyond the rubber plantations between Hana and the Honomanu Gulch. Two days were required to cover this marvellous stretch, which lies on the windward side of Haleakala. The people who dwell there call it the “ditch country,” an unprepossessing name, but it has no other. Nobody else ever comes there. Nobody else knows anything about it. With the exception of a handful of men, whom business has brought there, nobody has heard of the ditch country of Maui. Now a ditch is a ditch, assumably muddy, and usually traversing uninteresting and monotonous landscapes. But the Nahiku Ditch is not an ordinary ditch. The windward side of Haleakala is serried by a thousand precipitous gorges, down which rush as many torrents, each torrent of which achieves a score of cascades and waterfalls before it reaches the sea. More rain comes down here than in any other region in the world. In 1904 the year’s downpour was four hundred and twenty inches. Water means sugar, and sugar is the backbone of the territory of Hawaii, wherefore the Nahiku Ditch, which is not a ditch, but a chain of tunnels. The water travels underground, appearing only at intervals to leap a gorge, travelling high in the air on a giddy flume and plunging into and through the opposing mountain. This magnificent waterway is called a “ditch,” and with equal appropriateness can Cleopatra’s barge be called a box-car.

“All?” I groaned, for already the Snark was loaded down with lavish presents, by the canoe-load, of fruits, vegetables, pigs, and chickens. In front of the inn, she met a woman wearing widow’s weeds, and upon questioning her, learned that she was looking for a cook. The girl did not know very much, but appeared so willing and so modest in her requirements, that Madame Aubain finally said: On the first floor was Madame’s bed-chamber, a large room papered in a flowered design and containing the portrait of Monsieur dressed in the costume of a dandy. It communicated with a smaller room, in which there were two little cribs, without any mattresses. Next, came the parlour (always closed), filled with furniture covered with sheets. Then a hall, which led to the study, where books and papers were piled on the shelves of a book-case that enclosed three quarters of the big black desk. Two panels were entirely hidden under pen-and-ink sketches, Gouache landscapes and Audran engravings, relics of better times and vanished luxury. On the second floor, a garret-window lighted Felicite’s room, which looked out upon the meadows.